Guest Movie Maker Elliot Bartlett

July 9, 2010 at 6:21 am (Art, Family, Films)

My brain has been so swamped with living my life that I have had no creativity left over for blogging. Hopefully, it will come back after this heat wave passes. In the meantime, luckily, my son Elliot has stepped in and allowed me to post his first movie. His beloved aunt challenged him to take the Bing Crosby version of “Dear Hearts and Gentle People” and create a video of Norwich, NY, our nearest “town,” which truly is one of those quintessential small towns. The story goes that Norwich was only allowed to incorporate as a “city” if it had a certain number of streets, so there are several streets that have different names on either side of an intersection. You will be driving along Borden Avenue, cross through an intersection, and suddenly be on Fair Street. Clever, those founding fathers!

Yes, although the boy is 12, this is very intentionally tongue-in-cheek. Elliot has a very sophisticated level of textual analysis and presentation. He recently read The Catcher in the Rye and noted that because the pace of the narrative was so much slower than the middle grade books he normally read, that Salinger was able to go more in depth about Holden’s thoughts and feelings and he liked this style, was planning to read more adult books. He’s twelve. Here’s the video.

And here is the young movie master. Be watching for him in years to come.

Couldn’t resist adding this one too:

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Jig of Life

April 6, 2010 at 2:53 pm (Family, Farming, Films, Ireland, Music)

Just to ensure that no one actually thinks I am a saint or anywhere close, I present as evidence the last month and a half of my life. I have been a basketcase. The combination of the flu, a sinus infection, cabin fever, and PMS turned me into a snarling lump of awful. I have been fit company for neither man nor beast, so I have just kept a low profile and stayed under the porch licking my wounds.

However, hope springs eternal and spring hopes eternal, and just as the lilacs breed out of the dead land, so does the creative spirit return out of hibernation.

I was in Western New York to visit my mother and brother and sister on Easter, and I also saw two of my uncles. It gave me enough boost to finish another Kate Bush movie I had been half-heartedly working on. So here it is, with much love to my grandmother Mabel Ruth Kellick and my great-grandmother MaryAnn Elliott, and yes, I know, Mom, the Kellicks were English not Irish. Artistic license.

I realized making this that these magical photographs, which I pored over as a child, had as much to do with my love for farming as Laura Ingalls Wilder.

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Delayed Gratification

February 21, 2010 at 9:41 am (Family, Farming, Films, God, Gorgeous Writing, Rant)

To truly understand the significance of the picture to the left, you would have to have experienced my downstairs bathroom as it has been for the past 20 years. I wish I had a picture. The old bathroom had a barf-pink tub and toilet and an ersatz vanity/sink. The floor was two layers of crumbling linoleum, half of which was peeled off and half of which was kind of barely nailed on. I insisted on a plumbing upgrade when the pipes got so bad I was literally showering with a hose in the milkhouse in the barn, hiding behind the bulk tank and hoping to heck the milktruck didn’t pull in. My very pregnant and naked self was not a pretty site. Demi Moore I ain’t. During one Thanksgiving, we made our respective parents pee in the lawn because the septic was so bad. My mom was much in fear of the rooster that was poking about.

We made do with this bathroom until Youngest was born in 1997, when we put a brand new bathroom in upstairs (we didn’t have an upstairs bathroom for the first 7 years, and by pregnancy number three, I was darn tired of waddling down the stairs in the middle of the night). So since 1997, we have had a nice bathroom on the second floor, and we tolerated the pink pit on the first floor. It served its purpose for toilet, brushing or gelling (Middle son) hair, washing the dog. We rarely (read “never”) had guests, and we bumpkins didn’t care where we relieved ourselves. Then the toilet broke, and it would only flush intermittently. AND we have hard water, and calcium and rust accumulate on the inside of the toilet and hold on to the … whatever else is put in there, if you catch my meaning. So it became useless to clean it, and things became worse.

Remember the scene in Slumdog Millionaire when Jamal is in the outhouse and the movie star is arriving? That is not too far off from my bathroom of the past two years. So last spring, in a fit of Spring Fever, Andy and I tore everything out: the cast iron tub had to be smashed to smithereens (lots of fun, actually). I was in charge of ripping off the lovely faux-marble laminate walls and the plaster and lath. We left the sink and the toilet in place, but then the milk price bottomed out and we had to put it all on hold.

So for a year we had a very scary space right off the kitchen, kind of like those communal bathrooms in tenements in movies? You think I am kidding but I am not.

But just after Christmas Andy stumbled upon a fabulous deal on flooring so he bought it. And then our neighborhood ace handyman hurt his back and couldn’t work, but he could do some stuff for us. So way-hay and away we go! Suddenly beaded board was going up and toilets were flying and flooring was going down and all of a sudden I have a pretty bathroom. Twenty years is a long time to wait, and it makes the one-year wait on doing this

seem like child’s play. I bought this switchplate in Durham, North Carolina, at Vaguely Reminiscent in April of 2009. I was spending the day with a fabulous bunch of people I had met online and we were all about to go and see Haven Kimmel and Augusten Burroughs. I bought the switchplate saying to myself, “This is the way I want that bathroom to feel.” One year – 20 years – later, I finally screwed it into place. It will remind me daily of that magical trip. But screwing that little thing of beauty to the wall got me thinking.

I don’t know if this is an Asperger’s thing or a first-generation farmers thing, but Andy and I got very used to delaying gratification in the early days. Any entrepreneur will tell you that if you want to succeed in business, you have to suffer through the early years when all the money you make gets shoveled back into the business, and you cross your fingers that some day the business takes off and makes it all worth it. Andy and I were so good at delayed gratification, that we usually just skipped the gratification part. We just went without, went without, went without, one-month splurge when the milk price was high, and then back to went without, went without.

The year 2008 was a record-high milk price year, and the money was a’sloshin’ around like crazy! Andy bought a boat, and the family got a pool. We got a little used to buying a little treat or a little toy or whatever. I confess to over-spending on Amazon Used Books, and Andy overspent on fishing gear. But then the Bush era finally took its toll and the country plunged into a recession.

If the dairy industry is any indication of what is happening in the economy at large, the prospects for recovery are looking grim. Over the past 15 years, the large farms have adopted sexed semen (meaning they have 90% heifer calves) and expansion and anything else that made them personally more profitable, with the result that the national herd is huge and growing, there is more milk on the market than the recessed economy can absorb, and as any economist will tell you, oversupply and shrunken demand equals low prices.

For the big dairies where large volume means that even a small profit margin keeps you in business, this is fine. For us small to medium-sized dairies, a small – or non-existent – profit margin means borrowing to stay afloat and watching years worth of growing sweat equity start to slow to a halt.

Andy (who has THREE Bachelors degrees, one of which is in Economic Theory) and I (who have learned all I know about Economics because I have to teach it) have been talking a lot about the shift that seems to be going on right now. From my perspective in public education, I have seen the past twenty years devoted to preparing America’s graduates to go to college, teaching them critical thinking and theory analysis. When I graduated high school in 1984, that worked. You got yourself a four-year degree, and everyone opened their arms to usher your brainy self in the door. Ask Michael Lewis. Ask Melanie Griffith. If you could think, you were welcome to come on in and help America’s growing companies make some money.

But Andy and I are both feeling like the years of graduating from college and easily attaching yourself to the corporate teat are at an end. First of all, many of those Jamals made it through the latrine, got themselves an education, and will now do what American graduates do better and for one-quarter the salary – and be happy about it! Most American graduates (self included) are so dependent on adhering to big companies or agencies like barnacles that they couldn’t start their own business if you gave them the money to do it. And with money being funneled to keep the economic Titanics afloat, no money is currently available for entrepreneurs wanting to do their own thing, where keeping your job is your OWN responsibility. Besides, what upstart rowboat can compete with the Titanic, even if it is bailing water?

The really frightening thought is that the economy we have known and enjoyed for the past twenty years might be dying away. The economic model we have embraced, enjoyed, and are now trying to save might not be savable.

This hit me pretty hard this past Friday. We had been struggling along between milkchecks until Friday when the milkcheck finally arrived. I breathed a sigh of relief and immediately went out and bought myself swim goggles, fancy soap, a video game for Youngest, and was heading toward Lowe’s to get the medicine cabinet for the new bathroom when I stopped myself. What happened to delayed gratification? Yeah, we had money again, but truly, it was all spoken for already. Had I truly gotten so used to gratifying my desires that I couldn’t wait for my own paycheck a week later to get the bathroom decorations? Maybe, in fact, I might need to wait a month – or even two – to get those pretty baskets and that laundry hamper and that shiny towel rack. Maybe I couldn’t get them at all. And in truth, Jamal would be happy with just having the darn toilet that was already sitting at home.

I fear some serious belt-tightening is going to be called for, and I know that lots of Americans have already had to do it. Part of what Andy and I are feeling is that by the age of 50 (or 43), it shouldn’t be a big deal to buy a cappuccino; we have truly worked our asses off to get where we have gotten with the farm, much harder than our peers who did pursue the big and stable salary. Shouldn’t we be able to buy at least a couple of luxuries in our middle age? Ask the middle-aged folks in Guatemala or the slums of Mumbai.

Could it be that delayed gratification – or no gratification – is going to be necessary in America? And what about the concept of the majority of Americans returning to physical or manual labor? Perhaps the economy is now calling for us all to actually produce something as opposed to spin it, analyze it, market it, train it, teach it, think it, televise it, or turn it into a video game.

As usual, through pure grace, I am currently teaching The Grapes of Wrath in my class. Andy used to joke that America needed another depression to get Americans’ heads out of their butts. Maybe then we WOULD get some Americans who would work as hard as Hispanic workers.

And now the joke is on us. We had lived like the Joads for years as we had started the farm, and like the Joads, we assumed that if we worked hard enough, we could at least have that pretty little white house in the orange grove. But unless everyone on the planet can have the pretty white house, it’s not going to happen. People living in cardboard boxes are going to take the jobs and be happy to upgrade to corrugated metal. And those who want to live in a Pottery Barn advertisement might find themselves replaced by someone who wants the job worse.

I am looking down right now at a Pottery Barn rug, one that I finally purchased after 18 years and with great guilt and trepidation. Maybe it’s the last one I’ll ever buy. And you know what? I have a roof over my head, more flesh on my body than I need, a job that I don’t think is going away, and healthy kids.

This was real:

And so is this:

And so I should consider this to be as much or more than I deserve in this lifetime. I used to think I would have been quite the survivor had I lived through the Great Depression. It might be that I’ll be finding out whether that is true.


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Patty Hearst, my new BFF

January 17, 2010 at 7:42 pm (Asperger's Syndrome, Book review, Childhood, Family, Farming, Marriage, Rant)

I have a new colleague at work this year. We have lots in common: we are the same age, we both have three boys at home, we both teach these bizarre hybrid courses. But in many ways, we could not be more different. She is tall and blond; I am short and brown-haired with glasses. Her husband owns the country club; my husband owns a dairy farm. She is very organized; I am … not.

But here’s the most startling difference. The other day she referred to her husband as “the morning guy” in terms of kid duty. And then she described him: He goes to work out at the YMCA at 5:30 AM, comes home, makes coffee and brings my colleague a cup in bed, gets their kids up, makes them a big breakfast, gets them out the door, and then cleans up the dishes. My colleague has come downstairs by this point to join them for breakfast and say goodbye. Her husband leaves for work, my colleague takes a shower and heads to work herself. (NOTE: take her job and add to it five English classes, and that’s my job.) She is a gracious and lovely person and said she was so grateful that she could stay home and raise their kids and wait to find a job that she really loves.

For a typical day in MY life, please refer to Tuckered-Out Duck: A Day in My Life.

Now, let’s assume that F. Lee Bailey was speaking the truth and that Patty Hearst was brainwashed by her kidnappers into joining the Symbionese Liberation Army. And let’s also imagine that on April 15, 1974, she for some reason snapped out of it and found herself in the middle of the Hibernia Bank heist.

I imagine her suddenly looking around, looking down at herself holding an M-1 carbine, and saying “What the …”

That is exactly how I felt during this conversation, as if I suddenly snapped out of my 20-year relationship with My Favorite Aspie and found myself saying “Wait … THAT’S a normal marriage? What the heck is this that I’m doing?”

I am sure other people also wonder that as they look at my weird life. Every once in a while someone witnessing my husband and me together will give me pointed looks as if to say, “You don’t have to live like this. There are places you can go” or alternately “I don’t know how you put up with him.” I have actually had people say that exact sentence to me, and I have given them the innocent questioning face, as if to say, “What? All’s normal here.”

I had a similar “What the …” when I read Home Safe over the summer. WARNING: NT wives with AS husbands, do NOT read this book, especially if you are a wannabe writer. Read every other thing Elizabeth Berg has ever written but avoid this one at the risk of anaphylactic shock.

Now, I truly adore Elizabeth Berg. I eat her books like pancakes off a stack. And I have seen her in person: she is lovely and gracious and her books are all warm-hearted and magnanimous and read so smoothly it’s like drinking the best ever cup of cocoa in book form, but I just about threw Home Safe across the room in despair.

The basic plot is this: The protagonist is a successful writer who, for the twenty years of her marriage, has every day rolled out of bed and to her computer in her pajamas to write while her husband takes care of EVERYTHING ELSE. As the book starts, she has been a widow for almost a year (I truly was saddened by this) and she is trying to get herself restarted. She suddenly finds out that her husband has taken a big chunk of their investments and purchased a house in California, which he has had custom-redesigned and redecorated in order to create exactly what he knows is her dream house, right down to the bookshelves filled with all her favorite children’s books, a fieldstone fireplace, a pie safe, a six-burner stove, a bathroom with artisan tiles and a shower with its water falling over a rock ledge, French doors leading from bedroom to garden, a small wooden shed outside for writing, a treehouse shaped like a ship’s cabin.

I’ll stop there before I cry. First, I fully recognize how much I have personally given up to make the dream of the farm come true (giving up any of my writing ambitions in the process), so this protagonist’s pre-widowhood life is beyond my imagining. Second, it is astronomically far outside the realm of possibility for Andy to know and create my dream house. It’s not his fault; it’s the Asperger’s: limited Theory of Mind ability, limited empathic response, and whimsy regarded always as unnecessary and illogical not to mention inefficient.

In thinking about this recently, I know there are several very logical reasons why it took me so long to really realize that something was a bit amiss and that our marriage situation was somewhat askew.

REASON ONE: Kid Sister Complex

I am the youngest of my family, younger by five years than my sister and younger by seven years than my brother. I grew up as the little tag-along, always clueless, always mocked, always sure that EVERYONE knew more about how to act and what to do than I did.

Andy is seven years older than I am. When I met him, I was going through a Linda Ronstandt phase, of the Nelson Riddle Orchestra “What’s New” album era, and I was constantly crooning “I’m a little lamb who’s lost in the wood, I know I could, always be good, to one who’ll watch over me.” Yep, looking for a father/big brother figure. I confess it. And so I always assumed Andy knew better. He was much older. He was an A-Dult and I was a kid. I followed his lead. Easier and cheaper to paint every single interior wall off-white? I guess so. Every once in a while I would cock an eyebrow and question something, but rarely. I figured, Older is Wiser.

REASON TWO: Dysfunctional Family

I also grew up in a dysfunctional family, loving but influenced heavily by alcoholism. I knew my family was not normal. I avoided bringing people to my house. I did not talk about what was happening at home. And I therefore saw all other families as infinitely more normal than my own. My in-laws, therefore, seemed paragons of normal. After all, they were both medical professionals, had a nice house and a vacation home, recreated with other adults, cooked gourmet meals. My family did none of these things. I assumed I was marrying into an incredibly normal WASP family and would be immersed into normal by means of their eldest progeny. Any choice of Andy’s I assumed to be normal with a capital N.

REASON THREE: The Farm

We knew, walking into the agricultural world, that nothing in our lives would be quite like other college graduates’ lives. Also, Andy was the Ag major. I was English/Art. I knew nothing about farming (besides what I had gleaned from the Little House books) and that meant that whatever I was told about anything related to the farm I took at face value. Also, we did nothing but work and worry for fifteen years. Work and worry, worry and work. Our  situation economically and ergonomically was so outside the norm that all other components of it – including our marriage relationship – were assumed part of the lifestyle marginality. Work from 3:30 AM until 9 PM seven days a week? Normal, considering the circumstances. Constantly do things for the farm, never the house? Normal. Every cow problem a fatal catastrophe? Must be. Him’s the Ag major.

REASON FOUR: Isolation

We are isolated here. I mean isolated. The long days, the far-away family, the lack of time for friends, the ten-mile drive to town, the five-mile neighbors. We had no real reflection of our lives in the eyes of friends or family, no one to pull me aside later and say, “Uh, Mo? Is everything alright?” Our families did this sporadically (Andy’s mother even said to me once “I do NOT like the way Andrew speaks to you”), but much of the odd behavior I was able to explain away by the omnipresent stress of starting the farm.

REASON FIVE: Stockholm Syndrome

This one’s a stretch, but worth examining. According to the net’ s most reliable source of information, Wikipedia, Stockholm Syndrome explains an abductee’s or hostage’s love and loyalty toward his or her captor. The psychological explanation is that people will not allow themselves to remain unhappy for long because it causes cognitive dissonance. To resolve the dissonance, the person psychologically manipulates herself into being happy in the situation in which she finds herself, i.e. “I LOVE my captor. I CHOOSE to be under his control.” The other explanation likens the psychological strategy as akin to newborn attachment phenomenon. It is wise to attach to the nearest source of food and warmth since survival depends on it. And so, I was grateful for any let up in the endless grind. “My husband let me sleep in until 5 this morning! Isn’t he kind!”

But, there’s hope. I did find out about Asperger’s and can now differentiate between AS behavior and normal behavior. All this reading and breaking out of the NT-AS thang has liberated me from my blinders. Yeah, I’ve ruffled some Aspie feathers, but there’s a lot at stake here, especially my sanity.

Here’s Patty Hearst after her release from the Symbionese Liberation Army, with her former body guard, then fiance. Look how stinkin’ happy she looks! And look at that man – Is he going to ask her to lift a finger? No way. It’s going to be all about Patty. You go, girl! If you’re going to have a man with a gun glued to your side, make him not a captor but a bodyguard. And remember, you might have to be the one explaining to him which one to be.

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Winter in Central New York

January 10, 2010 at 11:05 am (Art, Asperger's Syndrome, Family, Farming, Films)

My oldest son created this one day when he was bored. I think it’s brilliant. He made it about four years ago, thus the spelling errors.

It’s even funnier to those of us who live here because we can name most of the people in the vehicles that go by. In the white station wagon is the wife of  the guy who fixes our cars. She is on her way into Norwich to buy car parts for her husband. They live in a strange enclave in the woods, built into a hill so that half is underground. We call it The Bunker. For the first many years we dealt with him, we were instructed to leave our car up on the road with the keys in it – not to drive down into the property. For a long time we suspected he was in the witness protection program, but now we just suspect they are older hippies. We also suspect they might be practicing nudists because sometimes we’ll stop at the house to pay our bill, and they have obviously just thrown on robes. Great mechanic. Cheap prices. Life in backwoods New York.

The truck that pulls in the driveway is our trucker Sue who takes our old cows to auction when they need to go. Sad but true. By some fluke of the camera, the film slows her down and then speeds her up. I laugh every time I watch it.

The other smaller car that pulls in is the artificial insemination guy. If you don’t know what that is, I’ll leave you to figure it out.

There is a surprising amount going on if you know what you’re looking for!

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A Book Review for Epiphany Sunday

January 3, 2010 at 11:49 am (Art, Book review, Childhood, Family, God, Gorgeous Writing)

TS Eliot’s poem “Journey of the Magi”

A cold coming we had of it,
Just the worst time of the year
For a journey, and such a long journey:
The ways deep and the weather sharp,
The very dead of winter.’
And the camels galled, sore-footed, refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the terraces,
And the silken girls bringing sherbet.
Then the camel men cursing and grumbling
And running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly
And the villages dirty and charging high prices:
A hard time we had of it.
At the end we preferred to travel all night,
Sleeping in snatches,
With the voices singing in our ears, saying
That this was all folly.

Then at dawn we came down to a temperate valley,
Wet, below the snow line, smelling of vegetation;
With a running stream and a water-mill beating the darkness,
And three trees on the low sky,
And an old white horse galloped away in the meadow.
Then we came to a tavern with vine-leaves over the lintel,
Six hands at an open door dicing for pieces of silver,
And feet kicking the empty wine-skins.
But there was no information, and so we continued
And arrived at evening, not a moment too soon
Finding the place; it was (you may say) satisfactory.

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.

In this poem TS Eliot gives voice to the mysterious kings who, once they have seen the infant Jesus, return home unable to not completely change their outlook on life and religion. Yet they do not mourn this loss of old certainties, insisting they are happy to be shed of obsolete beliefs. The Magi were led to experience this world-view revolution by the words of a prophet, what Flannery O’Connor called a “realist of distances,” one who can describe in detail what is yet to come because of lucid understanding of what currently is.

In Quaker writer Haven Kimmel’s fictional gem The Used World, Hazel Hunnicutt, proprietor of the eponymous Used World Emporium, is such a prophet. She sees what is distant by discerning the purest essence of what is and urging it into new combinations. Her most significant “arrangement” in the novel, and what drives the plot, involves her two employees: 40-something Claudia Modjeski, a six-foot-four androgynous woman living alone and mourning the death of her beloved mother, and 20-something Rebekah Shook, disowned by her Pentecostal father after she becomes pregnant by her first-ever lover, the decidedly non-Pentecostal Peter. This new arrangement also involves a baby boy, “stolen” after being orphaned into the meth-addicted biker gang Hazel’s own sister has fallen into, as well as a pit bull, abandoned by and rescued from the same.

The new story that is created here is ingeniously formed by Kimmel from elements of the old. Narration of the present-day lives of the main characters is interspersed with chronologically presented flashbacks to Hazel’s childhood and early adulthood. In these scenes Hazel, who early in life is “marked” for prescience by an owl, learns to differentiate between those acts that demonstrate pure love – though they might not be socially accepted – and “antique” traditions that deserve casting off when what they produce is pain and suffering. Hazel’s past and present circumstances call for quite challenging acts of discernment, from evaluating her mother’s work with unwanted pregnancies and her own repressed love for her best friend to the proper response to her sister’s addiction and to a fledgling lesbian relationship. Kimmel does not portray these acts of discernment as easy, nor should she. She opens such perennial powder-kegs as illegitimacy, homosexuality, and abortion, all flash-points that persist throughout human history, elicit changing societal responses as humanity evolves, and remain controversial because they are so complex.

The “theological” opinions voiced in the book contrast Rebekah’s father Vernon, a member of The Prophetic Mission where “the cruel, the stupid, the kind and the good alike believed they were the conduits for the direct revelation of Yahweh,” and Amos Townsend, pastor of the Church of the Brethren. The principle difference between these two is the degree of certainty with which they assert their beliefs. Where Vernon Shook continually reaffirms his own incontestable convictions, Amos humbly questions his own claims even from the pulpit. While Amos mistrusts the idea that anyone can thoroughly understand Jesus and so speculates more than pontificates, he does avow those truths he knows to be everlasting, especially the truth that God is Love and is revealed through love.

Sugar and Spice by artist Sher Fick

Throughout the book, in both image and theme, Kimmel contends there is much in life to preserve because it is good, but there is also much that should not be clutched merely because it is old. Acts of loving responsibility, symbolized by Claudia’s mother’s preserves and Rebekah’s mother’s recipes, shine out against the micro-waved meals of Claudia’s married-with-children sister Millie and the immature instant-message romance of the self-centered and two-timing Peter. These two, dubbed the New Mother and the New Man, have left the past completely behind but have also, unfortunately, abandoned those elements that were most worth saving.

On the other hand those who cling too fiercely to their outdated beliefs – Vernon and Hazel’s father Albert – leave destruction in their wake when the “truths” they cling to are divisive, vindictive, self-serving, and intolerant. Those characters unwilling or unable to sort the treasure from the junk are left to suffer at their own hands, while those who adapt and move on, doing what love asks of them, thrive and grow.  Kimmel challenges us too to retain what things are true, honest, just, pure, and lovely but to also be open to the new and sometimes unexpected ways these can be combined. The only test, and every great agape practitioner from Saint Francis to Dorothy Day would agree, is the question What is love asking of us now?

Haven Kimmel, whose hysterically funny memoir A Girl Named Zippy launched her onto the New York Times Bestsellers List in 2002, employs the same down-home humor in The Used World. But here in the world of fiction, Kimmel can employ even more nuance in her craft. Her symbolic touch throughout is simultaneously subtle and ever-present. The novel can simply be enjoyed as a gripping tale and yet the watchful reader discovers constant nuggets of pure philosophical gold, just as the persistent antiquer consistently finds new treasures in her favorite store. For example, the epigraph for Part Two from Luke, “the child in my womb leaped for joy,” literally describes Claudia’s reaction to the arrival of the pregnant Rebekah but also posits these two as a modern-day Elizabeth and Mary. Even such Judeo-Christian mainstays as a flood, a mob called Legion, and a woman saltily looking back read as seamless plot elements, especially as they are mixed with non-Biblical archetypes such as an Old Road, animal familiars, and three-headed dogs.

And this is indeed Kimmel’s point. There is only one story, one rock of permanence, one eternal word, and that is compassion. The impermanent and ever-changing face of history’s artifacts should not be worshipped. If the Word Himself calls us to anything it is to caritas, in whatever unusual and unexpected combinations this might require. It could be an illegitimate baby born to country folks in a stable and worshipped by royalty. It could be a woman accepting the love of another woman and raising a stolen child. The Magi say that what looks to be birth turned out to be death. And in The Used World what looks to be death turns out to be birth. The suicidal Claudia, the maltreated infant Oliver, the exiled Rebekah, the frantically despairing Millie and even the still-bereaved Hazel find new life in the odd arrangement a blizzard in Indiana hurls into place. As Hazel says, “There is wild change afoot, and you must be brave enough to not only endure it, but to embrace it, to make it your own.” And to do so, Kimmel maintains, always with compassion.

Let Your Light Shine by artist Sher Fick

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Unapologetic Bragging About My Kid!

December 17, 2009 at 1:41 pm (Family)

This is my son as Daddy Warbucks in Annie Jr. He was so good!

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Me and My Main Man Ralph

December 1, 2009 at 12:33 pm (Asperger's Syndrome, Book review, Family, Gorgeous Writing, Marriage, Rant, Writing)

The Perpetual Male Adolescence Festival (aka Shotgun Season) is in full swing here in Central New York. Mighty Hawkeye has already gotten four does with his bow and one monster buck (update : two monster bucks) with his shotgun (update: and one doe with his muzzle-loader). At the risk of offending anyone, I feel I must rant.

I spent too many years teaching Lord of the Flies to sophomores. I love Lord of the Flies, can practically recite enormous portions by memory; it was the sophomores that got taxing. It’s been eleven years since I cracked the cover, but one scene always jumps to mind when hunting season rolls around again, and so I cracked.

Ralph and Simon have been valiantly attempting to build huts on the beach while Piggy allegedly watches the Littl’uns and avoids asthma. Jack is rapidly devolving into primitive hunting mode, and is intently thinking like a pig, plotting his kill:

“Ralph gazed bewildered at [Jack’s] rapt face.

‘-they get up high. High up and in the shade, resting during the heat, like cows at home-‘

‘I thought you saw a ship!’

‘We could steal up on one – paint our faces so they wouldn’t see – perhaps surround them and then-‘

Indignation took away Ralph’s control.

‘I was talking about smoke! Don’t you want to be rescued? All you can talk about is pig, pig, pig!’

‘But we want meat!’

‘And I work all day with nothing but Simon and you come back and don’t even notice the huts!’

‘I was working too-‘

‘But you like it!’ shouted Ralph. ‘You want to hunt! While I-‘

They faced each other on the bright beach, astonished at the rub of feeling.”

The Modern Version:

“Mo gazed bewildered at Husband’s rapt face.

‘-they get really careless when they’re in rut. If you sit really still in one place-‘

‘I thought we were talking about Eldest!’

‘You have to be downwind, and brush your teeth with baking soda, and wear Scent-lock … ‘

Indignation took away Mo’s control.

‘I was talking about the kids! Don’t you care about their future? All you can talk about is deer, deer, deer!’

‘But we need meat!’

‘And I work all day downtown, which you would hate, and you come back and don’t even notice the 20-year-old bathroom!’

‘I was working too-‘

‘But you like it!’ shouted Mo. ‘You want to hunt! While I-‘

They faced each other in the kitchen, astonished at the rub of feeling.”

And so it goes.

I did make it to 50,000 words and got a big “You win!” graphic from the National Novel-Writing Month team (me and over 32,000 other people). Ironically enough, my novel is set in a future year when the people of Central New York are literally fighting for survival, and a good hunter is worth his weight in lost college-planning conversations.

And really, I must admit that I love venison, Husband is a fabulous cook, he is an extraordinarily skilled hunter, he is working on the bathroom, and if I were able to live a turn-of-the-last-century life and stay home cooking and baking, I would feel very different about the whole thing.

And much as I revere William Golding and his brilliant analysis of human nature, according to his biographer John Carey, he was “a reclusive depressive who considered himself a ‘monster’, a victim of fears and phobias who battled against alcoholism, and a writer who trusted the imagination above all things.”

There are dangers in trusting the imagination above all things, as Husband is quick to tell me. Imagination alone might lead to a Nobel prize, but it doesn’t fill the freezer or keep the house warm. So, I tell myself, Back off, English geek! Once you publish a book and make some money at your hobby, you can sneer at your husband’s hobby, which does at least feed the family.

Meanwhile, me and my main man Ralph are going to shut up and keep working on the huts and keeping track of the Littl’uns.

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Cloud and Smoke by Day

November 1, 2009 at 9:38 am (Art, Family, Writing)

This one’s going out to Twenty-First Century Housewife from Wife of the Tasmanian Devil:

depression

At age thirty-five, some kind of genetic gear in Patrick ticked into place and set off a cascade of chemical changes that bound him to his room. Upon waking, the weight of his body and his obligations and of the lowering grey sky pressed him like a torture board covered with rocks. He would stand and feel unbalanced, couldn’t catch his breath, his heart raced and thumped in his chest, he would fall to one side. The only respite was sleep and that was hard to find.

He called in sick for one day, two, three, until finally his wife called the doctor and made an appointment. The medicine took weeks to build up, and in those three weeks, all that he was and all that he was to be were called in for trial. By all accounts he was a success. An accountant, department manager, a home owner, a husband, a dutiful son, an adoptive father. But under the smiling and successful surface a layer of pure marble protected him from the outside. Within that edifice was quiet, protection.

clinical-depression-bruce-combsThe chemicals swirling now within were corroding that façade from the inside out. He felt chinks missing here and there, on his left side under his arm, on a small patch of his skull, tiny interior pock marks and depressions in the armor that left him vulnerable. And the places became bigger each day, and the fear, coupled with the extraordinary weight of the pain, kept him behind closed doors with the curtains drawn.

In his grand home, he crawled to the farthest corner and hid there from the storm that brewed around him. It felt to him as if he was in a huge warehouse, and in the smallest corner of the smallest space, under storage containers and in behind dusty bins, he was a tiny dot in the scheme. No one could see him or find him here, and in the larger world, no one knew of the warehouse, much less his tiny dot within it.

In trembling and oppression he waited for relief. The doctor promised that he would feel a change, but it was slow to come. Loretta forced him each morning to take the tiny pill, which he did, then returned to his room and tried to sleep. Loretta tried to lure him out with yard tasks in the sun, a new grill, a hockey game for the computer. But nothing helped. When Loretta’s son Max came home from school, Pat would rouse himself enough to ask about his day and eat a little dinner, help him with homework, hug Julie.

Finally after three weeks, he felt the weight ease, and he returned to work after a weekend of feeling more like his old self. One afternoon weeks later, at his desk looking at inventory figures, he answered his phone.

“Pat Madden,” he said, still looking at his papers.

“Mr. Madden, this is Connie Bankert, principal at Bridgeport Middle School?”

“Yes. Is Max alright?”

“He’s fine, but there has been an issue and it is essential that I see you here before the end of the day. I have called your wife and she is on her way.”

“What’s the problem?” Pat put down his pen and pulled his date book in front of him.

“It appears that Max threatened an attack on the school and the police were here first thing this morning.”

“Oh, Lord,” Pat sighed. “I can be there at 2:00. Is that soon enough?”

“Yes. We have Max in in-school suspension at the moment.”

“OK. I will call Loretta and we’ll both be there.”

“Thank you, Mr. Madden. Your step-son is in a bit of trouble. I hope we can resolve this amicably.”

“Yes. Thank you.”

Pat hung up the phone and rested his head on his hands. He breathed deeply twice and then picked up the phone and dialed.

“Hello?” Loretta answered.

“Hey.”

“Oh, God, Pat, what is this? What has he done? Someone called the police? I found the damn thing. It’s just a silly note in his notebook. It means nothing. He wouldn’t do that, would he?”

“No, Loretta, of course not. I’m sure it’s all a mistake. Listen, I can’t get out until 2 and I told Mrs. Bankert we’d be there then. Are you OK to drive?”

“Yes, of course. I’ll meet you out front. Are you OK? Any symptoms?”

“No, I feel OK. I’ll see you there.”

Two hours later Pat pulled up in front of the middle school. Loretta was there already waiting in her white Camaro. She got out when she saw Pat pull up behind her. As usual, she looked amazing, thin, stylish, well-dressed. She came to Pat and put her arms around him, rested her head on his shoulder.

“This feels like some kind of curse. First you, now Max. What’s next, your mom or dad?”

“OK, now, don’t overreact. Let’s just see what’s going on.”

In the office, Max sat in one of four chairs in a row. He looked up with fear when they walked in. His long hair fell across one eye and he flipped it out of his way.

“Hey, buddy,” Pat said, putting his hand on his shoulder.

“Hey.”

Mrs. Bankert walked out and motioned Pat and Loretta into her office. Loretta smiled briefly at Max and went in behind Pat and sat down.

“Mr. And Mrs. Madden, thank you for coming in. Let me tell you what I know. At 8:00 this morning Sergeant Walroth of the Bridgeport Police department came here following up on a complaint that was called in. Apparently a girl in one of Max’s classes saw him making a map of the school and plotting out a plan for an attack. She got scared and told her mother that night and the mother called the police.”

doodle map“I have the notebook here,” Loretta interrupted. “I found it in his room where he had said it would be.” She opened the notebook on the table. There was a neatly drawn and labeled map of the middle school with various arrows labeled with weapons: tanks, B-52s, AK47s, etc.

“I find this rather disturbing,” Mrs. Bankert said.

Pat pulled the notebook over to him. He studied it carefully. “Tanks? B-52 bombers? Do you think this is serious? Where is a 12-year-old going to get military weaponry?”

“Mr. Madden, I am sure you want to defend your step-son, but after Columbine, we simply must take even a threat – ridiculous or not – as a possibility. I have children’s lives at stake here.”

Pat pushed back his chair and folded his arms across his chest. “Mrs. Bankert, how many years do you have left here? Two, before you retire with a big pension? Don’t you have better things to do than punish a kid who was obviously just being a kid?”

Loretta put her hand on Pat’s arm. “Pat,” she said. “Let’s just hear what Mrs. Bankert has in mind.”

The principal pulled out a piece of paper and passed it to them. It was labeled “Disciplinary Action.”

“Max will be out of school for three days and then in in-school suspension for two. Then he may return to school.”

“OK,” Loretta said quickly. “I think that’s perfectly reasonable, don’t you Pat?”

“And I might also suggest some counseling. Here is a form to take home in case you decide to utilize this service.”

Pat glared and stood up. “I will take my son home now,” he said. He walked out the door.

“Thank you, Mrs. Bankert, and I am sorry about the trouble,” Loretta said.

angerPat dropped Max off at the house, after a quiet ride. Loretta followed and brought Max into the house with her arm around him. Pat returned to work. On his way home later, he stopped at his parents’ house. Peggy was not home yet, but Daniel stood with Pat in the kitchen as Pat paced back and forth and back and forth. Everything gathered in his mind, the doubt, the anxiety, the responsibilities, the long slow climb back to normal and now this compression. Daniel tried to talk to him, tried to calm him. Pat was shaking and his teeth were clenched. He could not speak, just periodically shouted meaningless sounds. Finally his hands clenched into fists and with all his might he punched the wall over the old highchair, knocking a hole in the sheetrock. Plaster dust flew everywhere. He tipped his head back and looked at the ceiling and he roared in frustration and grief. Daniel walked over and held his shaking body, held him still, just held him.

 

 

Pat knocked, and entered Max’s room when he heard a mumbled assent. Max lay on his bed face down. His music was playing and his books and notebooks were sprawled over his bed, spilling down onto the floor. Pat sat at the edge of his bed and considered Max’s long straggly hair.

“Max?”

“Mmmmm.”

“How are you doing, man?”

“I don’t know.”

“It was a joke wasn’t it.” Pat stated this. “Just a joke.”

“Yeah,” through the pillow. “Nobody was supposed to see that and anybody who knows me would know it was just a joke.”

“But Mrs. Bankert doesn’t know you. She might have thought you were serious.”

“I guess.” Still spoken into the pillow. “Is Mom mad?”

“She’s concerned, about you. She doesn’t want this to ruin your year. You were off to a good start.”

Pat had been helping Max every night with his math and science. It came hard to him, but Pat sat, patiently, and helped him with each problem while Loretta cooked Italian dishes – gnocchi and rigatoni and calzone. Pat loved her Italianness. She was so different than his sisters or cousins, so loud and bright and passionate.

“Are you mad? Are you going to leave? Are you going to go back into your room?”

“No, I got some help with that. I’m OK now, and as far as leaving, it would take a lot more than a psychotic plot to blow up Bridgeport Middle School to scare me off.”

Max turned his head slightly to check for the joke and smiled a little.

“I thought of doing that myself years ago.” Pat rubbed his hand across his thinning hair. “Max, I chose you, man. I chose to adopt you and Julie both – I didn’t have to. If this is tough, buddy, I’m going through it with you. If it hurts you, it’s going hurt me and your mom, too. But we’ll all hurt together.”

Max turned his face, and Pat could see he had been crying.

“I’m sorry, Pat. You’ve done a lot for me and I screwed up by doing something stupid.”

“Hey, we all do something stupid at some point. If this is the worst you do, count yourself lucky.”

“I bet you never did anything this stupid.”

“Yeah, I did.”

Max looked at him, waiting.

“I was once at a hockey game, and I was in the restroom, and this guy, this drunk guy, put out a cigarette on my arm. I got so mad that I punched him in the nose and broke it. And I didn’t stop then, I kept going and the police had to pull me off. Then I got arrested and my dad had to come and bail me out.”

“Whoa,” Max said sitting up. “Remind me not to mess with you.” Max wiped his hair off his face with his two hands. “I guess I didn’t do anything like that.”

“At least you only threatened to do something.”

Max looked down at his hands and picked at a hangnail.

“You want to get rid of that thing?” Pat asked.

Max looked up. “What thing?”

“Well, you’ll have to serve your suspensions, but I don’t think we need that map hanging around.”

Max’s eyes widened and then he raised his eyebrows and smiled tentatively.

Max and Pat walked past Loretta in the kitchen and out onto the patio. She looked and smiled but turned back to her stove. Julie was watching a show on TV. It was an early fall evening and still warm. A few leaves fell and drifted down from the big maples on the sides of their manicured lawn. Loretta grew roses, and a few late varieties were still in bloom. Fieldstones walled in the yard in which the grass was perfect, green and lush. Pat and Max took turns with the weekly mowing, Pat one time and Max the next.

SparksFromFirePat walked across the deck and opened the top of the grill. He pulled the map from his pocket and handed the map and matches to Max. Max opened the folded paper, looked at the map, and then laid it on the old coals. He opened the box, took out a match and closed the box again. He lit a match, and the flame hissed and then glowed steady. He held the flame to the edge of the paper and it caught. The paper blackened in a circle at the corner and then burst into orange and yellow, gathering strength until flames shot up into the increasing dusk. The paper curled and charred and shrunk and broke into cloth-like shreds. Pat and Max watched together as one soft piece floated up in the heat column, spiraled slowly, and soared away into the orange sky.

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The Catcher in the Rye

October 25, 2009 at 10:25 am (Art, Book review, Childhood, Family, Gorgeous Writing, Lectio, Writing)

For your listening pleasure while you are reading this post, here is the Count Basie Band (my dad’s favorite) playing Comin’ Through the Rye.

rye

This is a photograph of my maternal grandmother, Mabel Ruth Kellick, in her teens. Whenever she showed me this photo, she would always say, “Mabel, coming through the rye.”

One of my three books waiting to get published (Who am I kidding? I am waiting for an agent to discover me and wrangle one of them into something salable) is called “Wonderful Plans of Old.” It starts with a family intervention to deal with the father’s alcoholism, and then goes backwards and forwards in time to explore the roots of this moment as well as the effects after it. When I was writing it, I was reading the Book of Isaiah, because it seemed to fit so well with the ideas of Desolation and Redemption I was exploring in the book, and each chapter title is taken from Isaiah. This chapter is from the very middle. Don’t worry: I will be tying all this seemingly random stuff together!

Among Fat Ones, Leanness

Kate was gone to China – we rarely heard from her. Patrick was home sometimes, six weeks at college followed by six weeks of working at home. And I was a high school senior: pianist, valedictorian, tennis team captain, and so very alone. My English class read The Catcher in the Rye that year, and like all adolescents I felt that Holden Caufield was my voice: repulsed by all the phoniness of adulthood and reluctant to move into the contradictions it seemed to mandate.

I rode the bus home from school, sitting in the front seat with a scarf over my nose and mouth to filter out the smoke – not all of it tobacco – that drifted from the back of the bus. Our driver was known to allow – even condone – smoking, so the bus was packed with students willing to walk ten blocks home from the wrong stop to smoke their pot in warmth for one mile. Roxie the bus driver would snap her gum, big ball earrings bobbling, and cackle to the back, “You smokin’ that horse shit back there?” She purposely aimed for the big bump halfway down Washburn Street and we would all fly into the air. Everyone but me laughed.

When I got dropped off, I walked across the street, got the spare key from the garage, and let myself in. No one was home. I’d drop my books at the kitchen table, take off my coat, and start the ritual. Holden had a malted and grilled cheese at the soda fountain. Without the equipment of a diner, I made do with a cheese sandwich on toast and a chocolate milkshake. Then I would line up twenty-five Ritz crackers – five by five – and slather them with peanut butter. Once I had eaten those, I checked into the ice cream – usually half of a half gallon would go next. Then Oreos: one column. By then my stomach felt tight, way beyond Holden and into a territory of loneliness Holden did not know, a territory where no one saw me, no one knew what I was doing, where no one seemed to notice that I was home, wanting someone to care about my day, wanting someone to notice that I had emotionally quit everything.

The upstairs bathroom was the place: away from anyone, close the door, turn on the fan, run the water, pretend I was a teenage girl obsessed with washing my face in case anyone got home early. No one knew – or really cared – what I was doing, even when I repeated this part of the ritual right after dinner. It really became quite easy. I would drink an enormous glass of water, and then it was amazing how easily it all came out – it didn’t even taste bad, just a watered down version of what I had just eaten. Three times and it was all out. I had had the feast – treated myself if no one else would – and still did not gain weight – as thin as a Junior Miss at least. So thin that my period stopped and Mom finally took me to an endocrinologist who took one look at me and said, “She’s too thin.”

I got thin, very thin, and I would lie in the hot June sun in the driveway on the lawn chair wearing only the Bloomies underwear and camisole I had bought on a class trip to New York City, the camisole rolled up to expose my browned stomach. I had no bikini and Mom wouldn’t allow one, but my blue-and-pink-striped cotton undies worked the same, as long as I had covered up by the time Mom got home. Our backyard was shaded by a huge maple, but there was a strip of strong sunlight along our driveway right next to the Gardiner Girls’ lilac bushes, which were on the other side of the waist-high chain link fence.

Mrs. Dixon came over one day and found me this way. I didn’t hear her approach since I had my Walkman on, slathering myself with coconut oil. “It must be nice to be so perfect,” she said, looking down her nose at me. She obviously disapproved of a teenage girl half dressed lying in view from Morton Avenue, or else she was jealous – a former beauty queen herself, believe it or not – whose figure with teenage children now was not what it had been.

I smiled in a knowing adolescent way and pulled my sunglasses back down over my eyes. If only boys would have the same response, but my obsession with my weight was mixed with a fear of sex, and the physiological effects of thinness had been to halt my hormones, leaving me desireless. I craved the jealousy of my female peers more than attraction by males. I wouldn’t have known what to do with a boyfriend if I had one.

The night of my first drink, I had gone to a senior dinner dance with a childhood pal, and there, in a funky bar in Buffalo, I had several white Russians. They tasted good, and I enjoyed, for a time, the way I warmed up, chatted with everyone, danced without inhibitions. But on the way home I felt bad, guilty, headachy, and when I crashed into my room that night, I planned the next morning to confess and gain absolution from my parents.

When I finally awoke, a beautiful, sunny spring day, my head ached, and I lumped down the stairs to the kitchen where my father was making a second pot of coffee. I slumped into a chair and drank the glass of orange juice he offered.

“How was the dance?”

“OK, I guess.”

“Did Jeremy behave?”

“Barely.” I finished the orange juice and poured some more.

“Where’s Mom?” I asked. “Aren’t you guys going to church?”

Dad sat down across from me and took a deep breath, sighed long.

“Mom’s upstairs in her room.”

I looked up. Something had happened.

“She had to have her stomach pumped last night.” I stopped. I had a vision of an ambulance in the driveway, reds lights flashing on the neighbors’ houses and on the Sansones’ garage wall. Mom on a gurney coming out the front door.

“She … wanted to show me what I looked like, so she drank an entire bottle of wine.”

I felt sick to my stomach. “Is she OK?”

“Yes. She’s going to be OK. She’s resting upstairs.”

“Can I go see her?”

He nodded.

I got up, holding my throbbing head, and went into the living room and up the stairs to the second floor. Across the hall I could see that the door of the sewing room where she had been sleeping of late on the spare bed was shut. I approached it quietly and peeked in through the crack. She had her eyes closed, but she heard me at the door and opened them.

“Hi, Moll. You can come in.”

I opened the door, which squeaked a little, and closed it behind me. The lovely soft sun had risen and came in a strip under the shades on the east window. I moved slowly to the bed and sat down on the edge.

“How are you feeling?” I asked.

“Kind of bad,” she whispered. “Did Dad tell you?”

“Yes.”

“I’m sorry. On the night of your date.” She cleared her throat, which appeared to be a painful process. “How was it?”

“It was fine. Do you need anything?”

“No.”

“Can I lie down with you?” She made room, turned over and faced the wall. I lay down on top of the blanket and spooned in next to her, like she used to do with me when I was scared by a nightmare, but our positions were reversed. I put my arm around her and just stayed. The shade glowed with the sunlight outside, but in her darkened room it felt more like sunset.

She was there through the next two weeks, up until my graduation. Dad called and told her boss that she was very sick. After school I would come home and lie with her. Then I would go back downstairs and sit at the table, doing my homework: Calculus, AP Bio, English, Psych – a breeze really, it just took time – and maybe I would play the piano, or practice my valedictory address, or I would take the car and drive to the school a few blocks away and practice my forehand, hitting my tennis ball against the big brick wall, over and over and over and over until blisters formed and broke open and my hands bled.

Count BasieDid the music end? Here it is again.

I would not wish such a senior year on my worst enemy. Unfortunately, many students in high school DO have this kind of senior year. I have been teaching seniors now for eleven years, and I am convinced that it is one of the most stressful and difficult years of a kid’s life. It is like Kindergarten in reverse. Kindergarten means leaving the safety of home for the unknown of school; senior year involves leaving not only the now thoroughly known of school, but also leaving hometown, everyone known and loved for 18 years of life, and heading into the unknown of adult life.

Yes, some students are Homecoming King or Queen and apply early decision and are accepted at their first choice college, with a happily married mom and dad standing proudly behind them. But plenty of others are dealing with a parent’s illness or divorce or a major family problem, they have suffered socially throughout school and are glad to be leaving it behind, though they are simultaneously terrified of the blank slate before them. Sometimes no one has ever seen or understood their situation, and they have no support at all as they apply to colleges, all the while knowing that there is no money available at home to support this huge and expensive venture.

catcher in the ryeThese kids need a catcher in the rye. They are technically adults, and yet many of them are running dangerously close to a cliff’s edge. Oddly enough, I have found myself in a job where I can BE the catcher in the rye for some of these kids. In my previous teacher job, I saw 75 kids a day for 40 minutes each: they were a blur. Because I now have a small class of students and see them for over two hours a day, my relationship with them is very intense and becomes very close. I know their lives and their dreams. Also, the programs that my colleagues and I run require students to leave the safety and familiarity of their home schools and take an early leap into independence and novelty. We often end up with the kids who are happy to be leaving their high schools behind.

Because I was also one of these types, I find myself with a rare ability to see their fears and their hurts, and I find myself so grateful to be in a position to help them, to the best of my ability. To quote Holden, my main man,

“I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around – nobody big, I mean – except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff – I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all. I know it’s crazy, but that’s the only thing I’d really like to be. I know it’s crazy.”

Not crazy, Holden. I hear you, dude. Many of us have fallen off that cliff because no one was there to catch us. But anyone who has been over that cliff can see – preternaturally almost – those heading toward the edge. You can see it in their eyes, in their stance, in their words or their silence. If you personally survive the fall and pick yourself back up, you are in a unique position to see those little kids nearing the edge and to try to get in the way.

My heart aches for the Holdens and the Mollys of the world, and the many real teenagers I have seen undergo this process. My heart aches because it ached for me going through it. Holden sobs for Phoebe in her joy on the carousel, and it is true that innocence – either in its still pure form or lost through no fault of the child – is worth our sobbing over. The events that cause this are often beyond anyone’s control; who can stop cancer or death or any of a variety of things from raining on our parades? But I wish here to offer thanks that I have been given the opportunity to see and assuage what pain I can. God grant me the wisdom and the strength to do so.

carousel

Carousel by Leeanne McDonough as found at http://dazzioart.com/

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